This major research paper presents an autoethnographic account of the cultural production: performances, plays, video, poetry, short stories, Instagram takeovers and lived experiences of Black biracial Canadian artists Madelyne Beckles, Kalale Dalton-Lutale, Kiera Boult, and Cason Sharpe. Putting these artists in conversation with one another serves to connect and archive a creative community and moment by way of shared identities, and shared stylistic, generational, and critical vocabularies. The thread that runs throughout their works is a critical framework informed by Black thinkers and perspectives encompassing Black art and artists, feminism, queerness, pop culture, class consciousness, and intersectionality stemming from a distinctly Canadian context. As a commemoration of kinship and as a contribution to the current discourse of contemporary Canadian art, this paper makes a case for how their creative practices speak from and about a unique, intersectional perspective and make a significant contribution to the Canadian art landscape.