The COVID-19 pandemic declared a Public Health Emergency of International Concern in early 2020, has affected the landscape of art exhibitions. This paper investigates the impact of digital media on exhibition practices during and following the pandemic times, drawing upon a blend of autoethnographic methodology and academic research. Reflecting on personal experiences with installations by Andy Warhol and Monet, the paper discusses the significance of the relationship between digital and in-person engagements. The research emphasizes the transformative role of digital media on art exhibitions, articulating its effects on curatorial practices, and audience interaction in the pandemic and post-pandemic times.